Dance, space and subjectivity

'Dance, Space and Subjectivity is...a very welcome publication in that Valerie Briginshaw here has the scope to investigate her complex themes through ten chpaters on interconnected issues...An impressive variety of themes and issues is explored...Briginshaw's writing style is clear and wi...

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Bibliographic Details
Main Authors: Briginshaw, Valerie A.
Published:
Literature type: Electronic Software eBook
Language: English
Subjects:
Online Access: https://doi.org/10.1057/9780230272354
Summary: 'Dance, Space and Subjectivity is...a very welcome publication in that Valerie Briginshaw here has the scope to investigate her complex themes through ten chpaters on interconnected issues...An impressive variety of themes and issues is explored...Briginshaw's writing style is clear and will be accessible to students as well as researchers in a variety of disciplines...The book brings dance into the arena of so many current, fascinating debates that it offers a very useful point of reference and contribution to the field.' - Anna Pakes, Dance Theatre Journal '...presents a fast introduction to a whole range of current theoretical approaches to space, subjectivity and the representation of bodies, and shows how these theories enable explorations of the construction of subjectivity...' - Maaike Bleeker, University of Amsterdam and School for New Dance Development, Research in Dance Education.
Item Description: Ebook.
Originally published in: 2001.
Carrier Form: 256 p.
ISBN: 9780333919736
9780230508538 :
0230508537 :
CLC: G0
Contents: List of Illustrations Acknowledgements Introduction PART I: CONSTRUCTIONS OF SPACE AND SUBJECTIVITY Travel Metaphors in Dance: Gendered Constructions of Travel, Spaces and Subjects Transforming City Spaces and Subjects Coastal Constructions in Lea Anderson's Out on the Windy Beach PART II: DANCING IN THE 'IN-BETWEEN SPACES' Desire Spatialized Differently in Dances that can be Read as Lesbian Hybridity and Nomadic Subjectivity in Shobana Jeyasingh's Duets with Automobiles Crossing the (Black) Atlantic: Spatial and Temporal Displacements in Meredith Monk's Ellis Island and Jonzi Di's Aeroplane Man PART III: INSIDE/OUTSIDE BODIES AND SPACES Fleshy Corporealities in Trisha Brown's If You Couldn't See Me, Lea Anderson's Joan and Yolande Snaith's Blind Faith Carnivalesque Subversions in Liz Aggiss's Grotesque Dancer, Mark Morris's Dogtown and Emilyn Claid's Across Your Heart Architectural Spaces in the Choreography of William Forsythe and De Keersmaeker's Rosas Danst Rosas Appendix Endnotes Bibliography Index.