Introduction to documentary /

Designed for students in any field that makes use of visual evidence and persuasive strategies, Introduction to Documentary identifies the genre?s distinguishing qualities and teaches the viewer how to read documentary film. Each chapter takes up a discrete question, from "How did documentary f...

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Bibliographic Details
Main Authors: Nichols, Bill, 1942
Published: Indiana University Press,
Publisher Address: Bloomington, Indiana :
Publication Dates: [2017]
Literature type: Book
Language: English
Edition: Third edition.
Subjects:
Summary: Designed for students in any field that makes use of visual evidence and persuasive strategies, Introduction to Documentary identifies the genre?s distinguishing qualities and teaches the viewer how to read documentary film. Each chapter takes up a discrete question, from "How did documentary filmmaking get started?" to "Why are ethical issues central to documentary filmmaking?" Here Nichols has fully rewritten each chapter for greater clarity and ease of use, including revised discussions of earlier films and new commentary on dozens of recent films from The Cove to The Act of Killing and f
Carrier Form: xvi, 258 pages : illustrations ; 26 cm
Bibliography: Includes bibliographical references and index.
ISBN: 9780253026859 (paperback) :
0253026857 (paperback)
9780253026347 (hardback)
Index Number: PN1995
CLC: J952
Call Number: J952/N616/3rd ed.
Contents: Introduction -- How can we define documentary film? -- Why are ethical issues central to documentary filmmaking? -- What gives documentaries a voice of their own? -- What makes documentaries engaging and persuasive? -- How did documentary filmmaking get started? -- How can we differentiate among documentary models and modes? What are the poetic, expository, and reflexive modes? -- How can we describe the observational, participatory, and performative modes of documentary film? -- How have documentaries addressed social and political issues? -- How can we write effectively about documentary?