Imagining spectatorship : from the mysteries to the Shakespearean stage /

"Imagining Spectatorship offers a new discussion of how spectators witnessed early drama in the various spaces and places in which those works were performed. It combines broad historical and theoretical reflection with closely analysed case studies to produce a comprehensive account of the way...

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Bibliographic Details
Main Authors: McGavin, John J., 1950- (Author)
Group Author: Walker, Greg, 1959-
Published: Oxford University Press,
Publisher Address: Oxford :
Publication Dates: 2016.
Literature type: Book
Language: English
Edition: First edition.
Series: Oxford textual perspectives
Subjects:
Summary: "Imagining Spectatorship offers a new discussion of how spectators witnessed early drama in the various spaces and places in which those works were performed. It combines broad historical and theoretical reflection with closely analysed case studies to produce a comprehensive account of the ways in which individuals encountered early drama, how they were cued to respond to it, and how we might think about those issues today. The book resists the conventional divide between "medieval" and "early modern" drama, using its focus on the spectators' experience to point connections and continuities across a diverse range of genres, such as processions and tourneys as well as scripted plays, pageants, and interludes; a variety of different venues, such as city streets, great halls, and playhouses, and a period of about 150 years to the Shakespearean stage of the 1590s and 1600s. It seeks to offer routes by which inferences about early spectatorship can be made despite the relative absence of personal testimony from the period"--Provided by publisher.
Carrier Form: viii, 208 pages ; 21 cm.
Bibliography: Includes bibliographical references (pages [185]-197) and index.
ISBN: 9780198768623 (paperback) :
0198768621 (paperback)
9780198768616 (hardback)
0198768613 (hardback)
Index Number: PR658
CLC: I561.073
Call Number: I561.073/M145
Contents: Spectatorial Turn: Witnessing Early English Drama from the York Cycle to Shakespeare --
Tudor Household Drama: Beyond the Cognitive Turn --
Figuring the Spectator: The Entertainments at Carew Castle and Wisdom --
Staging Revelation: Virtuous and Godly Susanna, John Bale, and the Chester Antichrist --
Watching The Three Estates.