Screen LibraryArsenio Rodríguez and the transnational flows of Latin popular music
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| Main Authors: | |
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| Published: |
Temple University Press,
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| Publisher Address: | Philadelphia, PA |
| Publication Dates: | 2006. |
| Literature type: | Book |
| Language: | English |
| Series: |
Studies in Latin American and Caribbean music |
| Subjects: | |
| Carrier Form: | xii, 210 p.: ill., music ; 23 cm. |
| ISBN: |
1592133851 (cloth : alk. paper) 9781592133857 (cloth : alk. paper) 159213386X (pbk. : alk. paper) 9781592133864 (pbk. : alk. paper) |
| Index Number: | K837 |
| CLC: | K837.515.76 |
| Call Number: | K837.515.76/R696 |
| Contents: |
Exchange. Includes bibliographical references and index. Introduction. Feeling son montuno : issues and theoretical approach -- I was born of Africa : Black consciousness and Cubanidad. Formative years ; Reclaiming Africa ; Adore her as Martí did -- Negro y macho : Arsenio Rodríguez's conjunto and son montuno style. The early septetos and conjunto, 1926-44 ; Contratiempo and the emergence of the son montuno feel ; Placing the emergence of son montuno -- Who's who in mambo? Migrating to New York City ; I sell rhythm! The political economy of son montuno and mambo ; The pueblo pueblo of El Barrio and the Bronx -- Remembering the past with El Ciego Maravilloso. Arsenio Rodríguez in Chicago, Curaçao, and Los Angeles ; Nostalgia, exile politics, and the presalsa milieu in New York City ; Final performances and death in Los Angeles -- Salsa and Arsenio Rodríguez's legacy. We were disciples of Arsenio ; Son montuno and salsa aesthetics -- Conclusion : remembering Arsenio Rodríguez, remembering son montuno. |