Screen LibraryMusic theory and natural order from the Renaissance to the early twentieth century
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| Group Author: | ; |
|---|---|
| Published: |
Cambridge University Press,
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| Publisher Address: | Cambridge, United Kingdom New York |
| Publication Dates: | c2001. |
| Literature type: | Book |
| Language: | English |
| Subjects: | |
| Carrier Form: | xi, 243 p.: ill. ; 25 cm. |
| ISBN: | 0521771919 (hb) |
| Index Number: | J60 |
| CLC: |
J60-05 J609 J60-02 |
| Call Number: | J60-05/M987-1 |
| Contents: |
Includes bibliographical references (p. 213-232) and index. Part I: the disenchantment and re-enchantment of music. Vincenzo Galilei, modernity and the division of nature / Daniel K.L. Chua ; "'Tis nature's voice": music, natural philosophy and the hidden world in seventeenth-century England / Linda Phyllis Austern ; The "gift of nature": musical instinct and musical cognition in Rameau / David E. Cohen ; Nietzsche, Riemann, Wagner: when music lies / Leslie David Blasius -- Part II: Natural forms - forming nature. The second nature of sonata form / Scott Burnham ; August Halm's two cultures as nature / Alexander Rehding ; Seduced by notation: Oettingen's topography of the major-minor system / Suzannah Clark -- Part III: constructions of identity. The gendered eye: music analysis and the scientific outlook in German early Romantic music theory / Ian Biddle ; On the primitives of music theory: the savage and subconscious as sources of analytical authority / Peter A. Hoyt. |