Roland Barthes' cinema /

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Bibliographic Details
Main Authors: Watts, Philip, 1961-2013
Corporate Authors: Oxford University Press.
Group Author: Andrew, Dudley, 1945-; Barthes, Roland.
Published: Oxford University Press,
Publisher Address: New York, NY :
Publication Dates: 2016.
Literature type: eBook
Language: English
Edition: First edition.
Subjects:
Online Access: http://www.iresearchbook.cn/f/ebook/detail?id=5133a3d2803948968065bb79f744c6d4
Carrier Form: 1 online resource (xxviii, 185 pages)
Bibliography: Includes bibliographical references and index.
ISBN: 9780190277567
9780190277550
Index Number: PN1998
CLC: J905.565
Contents: Editor's preface -- Introduction -- A degraded spectacle. The interpreter and the sensualist -- Roman hair -- A Cold War cinema -- Demystification, 1957 "The face of Garbo" -- Rrefresh the perception of the world. "On cinemascope"; Barthes and the New Wave -- Barthes and Bazin. Lost continent; From ontology to rhetoric and back; Camera Lucida -- Another revolution. The fetishist; Eisenstein, 1970; Coda: From leftocracy to affect and intimacy -- Leaving the movie theater. The science of filmology; Apparatus theory; The aestheticization of the World; A long conversation with Christian Metz; Leaving theory -- The melodramatic imagination. The Bronte? sisters; The New Wave's melodramatic turn -- Michel Foucault's melodramatic imagination; Barthes and Foucault -- Barthes and Truffaut: Melodramatic photography; Conclusion: From Barthes to Rancie?re -- Interview with Jacques Rancie?re -- Nine texts on the cinema by Roland Barthes: Angels of sin (Les anges du pe?che?, 1943) -- On CinemaScope -- Versailles and its accounts -- Cinema, right and left -- On left wing criticism -- Traumatic units in cinema: research principles -- Preface to Les inconnus de la terre (Strangers of the Earth, Mario Ruspoli, 1961) -- Answer to a Question about James Bond -- Sade -- Pasolini -- Notes -- Bibliography -- Index.