Chris Ofili.

"Chris Ofili's intricately constructed works, combining beadlike dots of paint, collaged images from popular media, and elephant dung, create a unique iconography that marries African artistic and ritual practices with Western art historical traditions and contemporary hip-hop culture. Thi...

Full description

Saved in:
Bibliographic Details
Main Authors: Ofili, Chris, 1968-
Group Author: Doig, Peter, 1959-; Enwezor, Okwui; Walker, Kara Elizabeth; Adjaye, David, 1966-; Golden, Thelma; Shaw, Cameron
Published: Rizzoli,
Publisher Address: New York :
Publication Dates: 2009.
Literature type: Book
Language: English
Edition: First edition.
Subjects:
Summary: "Chris Ofili's intricately constructed works, combining beadlike dots of paint, collaged images from popular media, and elephant dung, create a unique iconography that marries African artistic and ritual practices with Western art historical traditions and contemporary hip-hop culture. This beautifully designed book, made in close collaboration with the artist, is the first to examine Ofili's artistic development and surveys his work in watercolor, graphite drawing, and sculpture. Literary and historical parallels from a formidable list of contributors explore the ways through which the artist has grasped his times with a palpable sense of history."--Jacket
Carrier Form: 267 pages : chiefly color illustrations ; 32 cm
Bibliography: Includes bibliographical references (page 262) and index.
ISBN: 9780847832156
0847832155
Index Number: ND497
CLC: J231(767)
Call Number: J231(767)/O329
Contents: Foreword / Peter Doig -- Brooklyn museum: messing with the sacred / Carol Becker -- Chris Ofili: the upper room / David Adjaye -- Shattering the mirror of tradition: Chris Ofili's triumph of painting at the 50th Venice Biennale / Okwui Enwezor -- Promenade / Kara Walker -- Conversation / Thelma Golden & Chris Ofili -- Two more ways of looking at it / Cameron Shaw.