Refractions of reality: Philosophy and the moving image
This is the first book to explore all central issues surrounding the relationship between the film-image and philosophy. It tackles the work of particular philosophers of film (A iA ek, Deleuze and Cavell) as well as general philosophical positions (Cognitivist and Culturalist), and analyses the abi...
Saved in:
Main Authors: | |
---|---|
Published: |
|
Literature type: | Electronic Software eBook |
Language: | English |
Subjects: | |
Online Access: |
http://www.palgraveconnect.com/doifinder/10.1057/9780230582316 |
Summary: |
This is the first book to explore all central issues surrounding the relationship between the film-image and philosophy. It tackles the work of particular philosophers of film (A iA ek, Deleuze and Cavell) as well as general philosophical positions (Cognitivist and Culturalist), and analyses the ability of film to teach and create philosophy. 'This book, in some sense, brings to an end a certain phase of film theorizing and instead looks toward something quite new: how theories have been written and how they may be written, how they fall into types, how these types are filling out not a logical grid but a grid of the anxieties we feel, and the defenses we erect toward the everyday. A wonderful, ground-breaking book.' - Edward Branigan (University of California, Santa Barbara), author of Projecting a Camera: Language-Games in Film Theory and Narrative Comprehension and Film 'Highly original both in its concern for avoiding the illustrative approach generally favoured by philosophers, and in the speculative ambition that looms behind the critical edge of its readings of contemporary film- philosophers. The very question "when does the film itself happen?" is a fundamental one, which is rarely addressed. Mullarkey is opening the door to a brand new type of philosophical engagement with films.' - Elie During (Universite de Paris X-Nanterre), author of Matrix: Machine philosophique. |
Item Description: |
Ebook. Originally published in: 2008. |
Carrier Form: | 304 p. : 2 b&w, line drawings. |
ISBN: |
9780230002470 9780230582316 : 0230582311 : |
CLC: |
B0-05 J90-02 |
Contents: | Acknowledgements Preface: The Film-Envy of Philosophy Introduction: Nobody Knows Anything! Illustrating Manuscripts Bordwell and Other Cogitators A iA ek and the Cinema of Perversion Deleuze's Kinematic Philosophy Cavell, Badiou, and Other Ontologists Expanded Cognitions and the Speeds of Cinema Fabulation, Process and Event Refractions of Reality Or, What is Thinking Anyway? Conclusion: Code Unknown - A Bastard Theory for a Bastard Art Notes Bibliography Index. |