Shakespeare, origins and originality /

"Shakespeare Survey is a yearbook of Shakespeare studies and production. Since 1948, Survey has published the best international scholarship in English and many of its essays have become classics of Shakespeare criticism. Each volume is devoted to a theme, or play, or group of plays; each also...

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Bibliographic Details
Group Author: Holland, Peter, 1951- (Editor)
Published: Cambridge University Press,
Publisher Address: Cambridge, United Kingdom :
Publication Dates: 2015.
Literature type: Book
Language: English
Series: Shakespeare survey ; 68
Subjects:
Summary: "Shakespeare Survey is a yearbook of Shakespeare studies and production. Since 1948, Survey has published the best international scholarship in English and many of its essays have become classics of Shakespeare criticism. Each volume is devoted to a theme, or play, or group of plays; each also contains a section of reviews of that year's textual and critical studies and of the year's major British performances. The theme for Volume 68 is 'Shakespeare, Origins and Originality'. The complete set of Survey volumes is also available online at http://www.cambridge.org/online/shakespearesurvey. This fully searchable resource enables users to browse by author, essay and volume, search by play, theme and topic and save and bookmark their results"--
"Why is the Shakespeare of the anecdotes at such variance with the Shakespeare of the biographies? The biographical narrative gives us a Shakespeare of increasing worldly success: more property, more literary acclaim, a coat of arms, and a posthumous monument in stone as well as in print. The anecdotal Shakespeare, however, is quite notorious: he violates decorum, breaks laws and even commits sacrilege"--
Carrier Form: x, 477 pages : illustrations ; 26 cm.
Bibliography: Includes bibliographical references and index.
ISBN: 9781107108844
1107108845
Index Number: PR2976
CLC: I561.073
Call Number: I561.073/S527-59
Contents: Shakespeare's anecdotal character /
What is a source? Or, how Shakespeare read His Marlowe /
Imitation or collaboration? Marlowe and the early Shakespeare canon /
'O Jephthah, judge of Israel': from original to accreted meanings in Hamlet's allusion /
The elephants' graveyard revisited: Shakespeare at work in Antony and Cleopatra, Romeo and Juliet and All's Well That Ends Well /
'Every like is not the same': translating Shakespeare in Spanish today /
Reading originals by the light of translations /
'My name is Will': Shakespeare's sonnets and autobiography /
Tracings and data in The Tempest: author, world and representation /
Shakespearean gesture: narrative and iconography /
The origin of the late Renaissance dramatic convention of self-addressed speech /
Reading in their present: early readers and the origins of Shakespearian appropriation /
Shakespeare out of time (or, Hugo takes dictation from the beyond) /
Betrayal, derail, or a thin veil: the myth of origin /
Global Shakespeares, affective histories, cultural memories /
Spinach and tobacco: making Shakespearian unoriginals /
Ren Fest Shakespeare: the cosplay Bard /
'Dead as earth': contemporary topicality and myths of origin in King Lear and The Shadow King Kate Flaherty --
Shakespeare and the idea of national theatres Michael Dobson --
John Rice and the boys of the Jacobean King's Men /
Shakespeare's Irish lives: the politics of biography /
Shakespeare in blockaded Berlin: the 1948 'Elizabethan Festival' /
Connecting the Globe: actors, audience and entrainment /
'Freetown!': Shakespeare and social flourishing /
We'll always have Paris: the third household and the 'bed of death' in Romeo and Juliet /
The 'serpent of old Nile': Cleopatra and the pragmatics of reported speech /
'This insubstantial pageant faded': the drama of semiotic anxiety in The Tempest /
Shakespeare performances in England 2014 /
Professional Shakespeare productions in the British Isles, January-December 2013 /
Critical studies /
Shakespeare in performance /
Editions and textual studies /