Screen LibraryTextual distortion /
"Distortion" is nearly always understood as negative. It can be defined as perversion, impairment, caricature, corruption, misrepresentation, or deviation. Unlike its close neighbour, "disruption", it remains resolutely associated with the undesirable, the lost, or the deceptive....
Saved in:
| Corporate Authors: | |
|---|---|
| Group Author: | ; |
| Published: |
D.S. Brewer,
|
| Publisher Address: | Cambridge, UK : |
| Publication Dates: | 2017. |
| Literature type: | Book |
| Language: | English |
| Series: |
Essays and Studies,
2017 |
| Subjects: | |
| Summary: |
"Distortion" is nearly always understood as negative. It can be defined as perversion, impairment, caricature, corruption, misrepresentation, or deviation. Unlike its close neighbour, "disruption", it remains resolutely associated with the undesirable, the lost, or the deceptive. Yet it is also part of a larger knowledge system, filling the gap between the authentic event and its experience; it has its own ethics and practice, and it is necessarily incorporated in all meaningful communication. Need it always be a negative phenomenon? How does distortion affect producers, transmitters and receivers of texts? Are we always obliged to acknowledge distortion? What effect does a distortive process have on the intentionality, materiality and functionality, not to say the cultural, intellectual and market value, of all textual objects? The essays in this volume seek to address these questions. They range from the medieval through the early modern to contemporary periods and, throughout, deliberately challenge periodisation and the canonical. Topics treated include Anglo-Saxon manuscripts, Reformation documents and poems, Global Shakespeare, the Oxford English Dictionary, Native American spiritual objects, and digital tools for re-envisioning textual relationships. From the written to the spoken, the inhabited object to the remediated, distortion is demonstrated to demand a rich and provocative mode of analysis. |
| Item Description: | "Essays and Studies 2017 is volume seventy in the new series of Essays and Studies collected on behalf of the English Association" -- Title page verso. |
| Carrier Form: | xiii, 174 pages : illustrations ; 23 cm. |
| Bibliography: | Includes bibliographical references and index. |
| ISBN: |
9781843844792 1843844796 |
| Index Number: | P47 |
| CLC: | G256 |
| Call Number: | G256/T355-1 |
| Contents: |
The curious production and reconstruction of Oxford, Bodleian Library, Junius 85 and 86 / Through a glass darkly, or, rethinking medieval materiality: a tale of carpets, screens, and parchment / Distortion, ideology, time: proletarian aesthetics in the work of Lionel Britton / Shakespeare and Korea: mutual remappings / Dictionary distortions / Where do indigenous origin stories and empowered objects fit into a literary history of the American continent? / Distortion in textual object facsimile production: a liability or an asset? / The uncanny reformation: revenant texts and distorted time in Henrician England / The presence of the book / |