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Author: 二战经典战役编委会编译

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The art and science of HDR imaging

Rendering High Dynamic Range (HDR) scenes on media with limited dynamic range began in the Renaissance whereby painters, then photographers, learned to use low-range spatial techniques to synthesize appearances, rather than to reproduce accurately the light from scenes. The Art and Science of HDR Im...

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Bibliographic Details
Main Authors: McCann, John J.
Group Author: Rizzi, Alessandro, 1965-
Published:
Literature type: eBook
Language: English
Series: Wiley-IS & T series in imaging science and technology.
Subjects:
High dynamic range imaging.
PHOTOGRAPHY > Darkroom. > Darkroom.
Electronic books.
Online Access: http://onlinelibrary.wiley.com/book/10.1002/9781119951483
Summary: Rendering High Dynamic Range (HDR) scenes on media with limited dynamic range began in the Renaissance whereby painters, then photographers, learned to use low-range spatial techniques to synthesize appearances, rather than to reproduce accurately the light from scenes. The Art and Science of HDR Imaging presents a unique scientific HDR approach derived from artists' understanding of painting, emphasizing spatial information in electronic imaging. Human visual appearance and reproduction rendition of the HDR world requires spatial-image processing to overcome the veiling glare limits of optica.
Carrier Form: 1 online resource.
Bibliography: Includes bibliographical references and index.
ISBN: 9781119951483 (electronic bk.)
1119951488 (electronic bk.)
9781119951476 (electronic bk.)
111995147X (electronic bk.)
1283283107
9781283283106
Index Number: TR594
CLC: TN911.73
Contents: Section A. History of HDR imaging -- section B. Measured dynamic ranges -- section C. Separating glare and contrast -- section D. Scene content controls appearance -- section E. Color HDR -- section F. HDR image processing.

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