The multisensory film experience : a cognitive model of experiential film aesthetics /

When the lights dim in a movie theater and the projector begins to click and whir, the light and sounds of the motion picture become the gateway to a multisensory experience. Moving beyond the oft-discussed perceptual elements of vision and hearing, "The multisensory film experience" analy...

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Bibliographic Details
Main Authors: Antunes, Luis Rocha (Author)
Published: Intellect,
Publisher Address: Bristol, UK :
Publication Dates: 2016.
Literature type: Book
Language: English
Subjects:
Summary: When the lights dim in a movie theater and the projector begins to click and whir, the light and sounds of the motion picture become the gateway to a multisensory experience. Moving beyond the oft-discussed perceptual elements of vision and hearing, "The multisensory film experience" analyzes temperature, pain, and balance in order to argue that it is the "experience" of film that is inherently multisensory, not the medium. Luis Rocha Antunes here explores the work of filmmakers Erik Jensen, Gus Van Sant, and Ki-Duk Kim to offer new insights into how viewers experience films and understand their stories.
Carrier Form: xiv, 204 pages ; 23 cm
Bibliography: Includes bibliographical references (pages [179]-198) and filmography (pages [199]-204).
ISBN: 9781783206285
1783206284
Index Number: PN1995
CLC: J901
Call Number: J901/A636
Contents: The multisensory film experience, experiential film aesthetics, cinema and the senses -- The vestibular in film: orientation and balance in Gus Van Sant's cinema of walking -- Nociception in film: a cinematic account of Ki-Duk Kim's aesthetics of pain -- Thermoception in film: Knut Erik Jensen's experiential aesthetics of cold.