The symbolic, the sublime, and Slavoj Zizek's theory of film
Returning to questions about ideology and subjectivity, Flisfeder argues that Slavoj Zizek's theory of film aims to re-politicize film studies and film theory, bringing cinema into the fold of twenty-first century politics.
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Published: |
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Literature type: | Electronic Software eBook |
Language: | English |
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Online Access: |
http://www.palgraveconnect.com/doifinder/10.1057/9781137110749 |
Summary: |
Returning to questions about ideology and subjectivity, Flisfeder argues that Slavoj Zizek's theory of film aims to re-politicize film studies and film theory, bringing cinema into the fold of twenty-first century politics. |
Item Description: |
Electronic book text. Epublication based on: 9780230341470, 2012. |
Carrier Form: | 208 p. : 14 figures. |
ISBN: |
9780230341470 9781137110749 : 1137110740 : |
CLC: | J90 |
Contents: | From Film Theory to Post-Theory Sublime Objects of Cinema Class Struggle in Film Studies Interlude: The Pervert and the Analyst Cinema, Ideology, and Form Enjoyment in the Cinema Conclusion: Theory as Realism Set in Drive. |