The symbolic, the sublime, and Slavoj Zizek's theory of film

Returning to questions about ideology and subjectivity, Flisfeder argues that Slavoj Zizek's theory of film aims to re-politicize film studies and film theory, bringing cinema into the fold of twenty-first century politics.

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Bibliographic Details
Main Authors: Flisfeder, Matthew
Published:
Literature type: Electronic Software eBook
Language: English
Subjects:
Online Access: http://www.palgraveconnect.com/doifinder/10.1057/9781137110749
Summary: Returning to questions about ideology and subjectivity, Flisfeder argues that Slavoj Zizek's theory of film aims to re-politicize film studies and film theory, bringing cinema into the fold of twenty-first century politics.
Item Description: Electronic book text.
Epublication based on: 9780230341470, 2012.
Carrier Form: 208 p. : 14 figures.
ISBN: 9780230341470
9781137110749 :
1137110740 :
CLC: J90
Contents: From Film Theory to Post-Theory Sublime Objects of Cinema Class Struggle in Film Studies Interlude: The Pervert and the Analyst Cinema, Ideology, and Form Enjoyment in the Cinema Conclusion: Theory as Realism Set in Drive.