Partners in print : artistic collaboration and the ukiyo-e market /
"This compelling account of collaboration in the genre of ukiyo-e (pictures of the floating world) offers a new approach to understanding the production and reception of print culture in early modern Japan. It provides a corrective to the perception that the ukiyo-e tradition was the product of...
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Main Authors: | |
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Published: |
University of Hawaiʻi Press,
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Publisher Address: | Honolulu : |
Publication Dates: | [2015] |
Literature type: | Book |
Language: | English |
Subjects: | |
Summary: |
"This compelling account of collaboration in the genre of ukiyo-e (pictures of the floating world) offers a new approach to understanding the production and reception of print culture in early modern Japan. It provides a corrective to the perception that the ukiyo-e tradition was the product of the creative talents of individual artists, revealing instead the many identities that made and disseminated printed work. Julie Nelson Davis demonstrates by way of examples from the later eighteenth century that this popular genre was the result of an exchange among publishers, designers, writers, ca |
Carrier Form: | xvii, 242 pages : color illustraitons ; 24 cm |
Bibliography: | Includes bibliographical references (pages 223-233) and index. |
ISBN: |
9780824839383 (cloth : alk. paper) : 0824839382 (cloth : alk. paper) |
Index Number: | N7353 |
CLC: | J131.309.4 |
Call Number: | J131.309.4/D262 |
Contents: | Introduction: the floating world and its artistic networks -- Teaching the art of painting through print: a master painter, his students, and the illustrated book -- Picturing beauties: print designers, publishers, and a mirror of the Yoshiwara -- Unrolling pictures for the erotic imagination: a designer, his publisher, and the scroll of the sleeve -- Making dogma into comedy: a writer and an illustrator send up religion in a popular book -- Conclusion: reconsidering collaboration and ukiyo art worlds. |