Mapping landscapes for performance as research Scholarly acts and creative cartographies /
Although the sciences have long understood the value of practice-based research, the arts and humanities have tended to structure a gap between practice and analysis. This book examines differences and similarities between Performance as Research practices in various community and national contexts,...
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Group Author: | ; |
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Published: |
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Literature type: | Electronic Software eBook |
Language: | English |
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Online Access: |
http://www.palgraveconnect.com/doifinder/10.1057/9780230244481 |
Summary: |
Although the sciences have long understood the value of practice-based research, the arts and humanities have tended to structure a gap between practice and analysis. This book examines differences and similarities between Performance as Research practices in various community and national contexts, mapping out the landscape of this new field. |
Item Description: |
Electronic book text. Originally published in: 2009. |
Carrier Form: | 304 p. : 9 b&w, halftones. |
ISBN: |
9780230222199 9780230244481 : 0230244483 : |
CLC: | J0-05 |
Contents: | List of Figures Acknowledgements Abbreviations and Acronyms Contributors Introduction PART I: LAY OF THE LANDSCAPE -- GEOGRAPHIES, LEGACIES, DISCIPLINES 1 Performance Practice as Research: Perspectives from a Small Island-- B.Kershaw Working on the Middle Ground: A Case-Study of Institutional Inter-Action about Practice-as-Research-- S.Jones Troubling Performance: Local, National and International-- R.Gough Using Performance as a Practice as Research tool in Africa-- J.Plastow Rating the Theatre Practitioner: A South African Case-Study-- T.Hauptfleisch Performance as Research in Australia: Legitimating Epistemologies-- B.Haseman Locating the Artist-Researcher: Shifting Sites of Performance as Research [PAR] in Canada-- L.Levin Social Performance Studies [in China]: Between the Real and the Virtual-- W.H.Sun & F.C.Fei Artistic Research - From Apartness to the Umbrella Concept at the Theatre Academy, Finland-- A.Arlander An Actor Prepares: Performance as Research [PAR] in the Theatre-- I.Watson Making a Dance/Researching through Movement-- S.L.Foster Performance as Research [PAR] in North American Ethnomusicology-- S.J.Graham The Three Configurations of Studio-Art PhDs-- J.Elkins Approaching Knowledge, Research, Performance, and the Arts-- A.J.Sabatini PART II: CARTOGRAPHIES -- TERMS FOR FINDING/CHARTING THE WAY(S) Action Research-- K.Yasuda Disjunction: Performing Media Space-- N.Kaye Embodiment-- P.Lichtenfels Environment-- B.Kershaw Lab/Studio-- S.R.Riley Medium-- S.Kelly Oral History-- D.Pollock Site-Particular-- I.Noe Situated Knowledge-- L.Hunter PART III: MAPPING PAR IN THE US -- COMMUNITIES, CLASSROOMS, STAGES, AND HOLODECKS When Is Art Research?-- S.Jackson The Oral History Project: Practice-Based Research in Theatre and Performance-- L.D.Nielsen University Gamelan Ensembles as Research-- H.Spiller Performative and Pedagogical Interventions: Embodying Whiteness as Cultural Critique-- J.T.Warren Open up the Box: Pedagogy, Action Research and Art-- K.Yasuda Searching for Spalding Gray: PAR Pedagogy, an Undergraduate Ensemble, and 'The Edinburgh Project'-- R.Malague Valuing Performance/Practice as Academic Knowledge-- L.Hunter Performed Research: Audience as Investigator-- M.Arsem Miss Translation USA Goes to Cuba: Performance as Research toward a Performative Ethnography-- S.R.Riley Acting (on) our own Discomforts: BLW's [Media] Performance as Research-- J.Wyman Theory/Practice as Research: Explorations, Questions and Suggestions-- L.Hunter Dramaturgy: Conceptual Understanding and the Fickleness of Process-- J.D.Rossini Collisions in Time: 21st Century Actors Explore Delsarte on the Holodeck-- S.M.Carnicke Living on the Edge: Alternate Controllers and the Obstinate Interface-- J.B.Rovan Select Bibliography Index. |