Popular cinema as political theory idealism and realism in epics, noirs, and satires /

The book presents cinematic case studies in political realism versus political idealism, demonstrating methods of viewing popular cinema as political theory. The book appreciates political myth-making in popular genres as especially practical and accessible theorizing about politics.

Saved in:
Bibliographic Details
Main Authors: Nelson, John S., 1950
Published:
Literature type: Electronic Software eBook
Language: English
Subjects:
Online Access: http://www.palgraveconnect.com/doifinder/10.1057/9781137373861
Summary: The book presents cinematic case studies in political realism versus political idealism, demonstrating methods of viewing popular cinema as political theory. The book appreciates political myth-making in popular genres as especially practical and accessible theorizing about politics.
'In this insightful analysis, John Nelson examines the intersections of popular culture and politics. Treating film as examples of practical reasoning, Nelson explores the ways in which cinematic texts contribute to public understandings of our communal life. He analyzes film through the lenses of genre (epic, noir, satire) and political theory (with particular emphasis on realism and idealism) and concludes that cinematic myth making both reflects and defines public understanding of politics in interesting ways. Nelson's book provides important evidence that political philosophy is neither
Item Description: Electronic book text.
Epublication based on: 9781137374707.
Carrier Form: 264 p. : 5 ill.
ISBN: 9781137373861 :
1137373865 :
CLC: J90
Contents: Introduction: Doing Political Theory with Popular Films: Styles in Action in Everyday Life 1. An Epic Comeback? Post-Western Politics in Film and Theory 2. Rhythms of Political Satire: Post-Modern Politics in Words, Musics, and Movies 3. Realism as a Political Style: Noir Insights 4. Noir in Paradise: Testing and Twisting Realist Politics Conclusion: Unsettling Idealism versus Realism: Perfectionism in Two Classics of Neo Noir.