Shock city : image and architecture in industrial Manchester /

From the mid-eighteenth century to the nineteen-twenties, from the birth of the Industrial Revolution to the height of Manchester's global significance and the beginning of its decline, Shock City challenges the idea that Paris was the "capital of the nineteenth century." Mark Crinson...

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Bibliographic Details
Main Authors: Crinson, Mark (Author)
Published: Paul Mellon Centre for Studies in British Art,
Publisher Address: London :
Publication Dates: 2022.
Literature type: Book
Language: English
Subjects:
Summary: From the mid-eighteenth century to the nineteen-twenties, from the birth of the Industrial Revolution to the height of Manchester's global significance and the beginning of its decline, Shock City challenges the idea that Paris was the "capital of the nineteenth century." Mark Crinson reorients this issue around the development of industrial production, particularly cotton and its manufacture by means of steam power, offering a fascinating and accessibly written account of how new relations in the industrial economy were manifested through the spaces and representations of the first industrial city.0Focusing on Manchester's mills and warehouses, its main trading institution (the Royal Exchange), its magnificent Gothic Revival Town Hall, and its late Gothic Revival Rylands Library, this book explores these iconic buildings alongside paintings, prints, maps, and photographs of the city throughout the period. Crinson interweaves analysis of buildings and images, urban spaces and new institutions, technology and industrial pollution to show how these were all the products of Manchester's newly emergent industrial middle classes, who remade the city in their image.
Carrier Form: ix, 234 pages : illustrations (some color), maps (some color), plans (some color) ; 26 cm
Bibliography: Includes bibliographical references and index.
ISBN: 9781913107338
1913107337
Index Number: NA6403
CLC: TU27-095.61
Call Number: TU27-095.61/C931
Contents: Preface and acknowledgements -- Introduction: Shock, smoke and charity -- Ancoats, 1826: the shock of the factory -- City of free trade: the urbanism of the industrial Bourgeoisie -- Ancient and modern: photography imaging an Epoch -- Industrial greatness: the town hall as a Gothic machine -- Devil's darkness: industrial pollution and culture as philanthropy -- The largest room: making a deal witht the architecture of the exchange -- Coda.