Gabriele Münter, 1877-1962 : painting to the point /

"This volume presents the paintings of Gabriele Münter in ten thematic sections that bring the artist's creative process to the fore. For the first time, Münter's paintings are accompanied by a large number of her photographs from North America, taken around the turn of the nineteenth...

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Bibliographic Details
Corporate Authors: Gabriele Münter- und Johannes Eichner-Stiftung; Städtische Galerie im Lenbachhaus München; Louisiana (Museum : Humlebæk, Denmark); Museum Ludwig; Prestel Verlag
Group Author: Jansen, Isabelle (Editor); Mühling, Matthias (Editor)
Published: Lenbachhaus,
Publisher Address: Munich :
Publication Dates: [2017]
Literature type: Book
Language: English
German
Subjects:
Summary: "This volume presents the paintings of Gabriele Münter in ten thematic sections that bring the artist's creative process to the fore. For the first time, Münter's paintings are accompanied by a large number of her photographs from North America, taken around the turn of the nineteenth to the twentieth century. The picture that emerges from the whole is that of an extraordinarily open-minded and adventuresome artist."
Carrier Form: 270 pages : color illustrations ; 27 cm
Bibliography: Includes bibliographical references (pages [266]-269).
ISBN: 9783791357058
3791357050
9783981516456
3981516451
9783791368368
3791368362
Index Number: N6888
CLC: J205.516-28
Call Number: J205.516-28/G118
Contents: Gabriele Münter, painting to the point" -- Munich, Humlebaek, Cologne -- Three museums, one exhibition /
Gabriele Münter (1877-1962) painting to the point /
Note on terms used in the description of Gabriele Münter's painting technique /
"Visual delight" Prepainting: Münter's early work --
"You have probably understood that I had always been mainly a plein-air painter..." Out and about: landscapes and outdoor scenes --
"Portrait painting is the boldest and the most difficult, the most spiritual, the most extreme task for the artist." Portraits --
"Lived spaces" Interior scenes --
"Searching for the roots of creativity" "Primitivism" --
"Now the time has come to experiment." Repetitions and variations --
A new way of seeing? Gabriele Münter and the new representational painting of the 1920s --
"The monster devours everything and spits it out." Work and technology --
"One is freer and less encumbered in the 'nonobjective' mode" Working with abstraction --
"I earned a name again, a[nd] numerous works have remained in museums." Promoting the art of Gabriele Münter --
Stations in the life of Gabriele Münter --
"The cinema is so much more enjoyable than the theater!" Gabriele Münter's passion for film /