Tragicomic redemptions : global economics and the early modern english stage /

Valerie Forman contends that three seemingly unrelated domains new economic theories and practices; the discourses of Christian redemption; and the rise of tragicomedy as the stage's most popular genre were together crucial to the formulation of a new and paradoxical way of thinking about loss...

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Bibliographic Details
Main Authors: Forman, Valerie
Corporate Authors: De Gruyter.
Published: University of Pennsylvania Press,
Publisher Address: Philadelphia, Pa. :
Publication Dates: [2008]
©2008
Literature type: eBook
Language: English
Subjects:
Online Access: http://dx.doi.org/10.9783/9780812201925
http://www.degruyter.com/doc/cover/9780812201925.jpg
Summary: Valerie Forman contends that three seemingly unrelated domains new economic theories and practices; the discourses of Christian redemption; and the rise of tragicomedy as the stage's most popular genre were together crucial to the formulation of a new and paradoxical way of thinking about loss and profit in relationship to one another.
Carrier Form: 1 online resource (288 pages) : illustrations
ISBN: 9780812201925
Index Number: PR658
CLC: I561.073
Contents: Frontmatter --
Contents --
Introduction. The Economics of Redemption --
Chapter One. Stasis and Insularity in The Merchant of Venice and Twelfth Night --
Chapter Two. The Voyage Out: Pericles --
Chapter Three. Poverty, Surplus Value, and Theatrical Investment in The Winters Tale --
Chapter Four. Captivity and "Free" Trade --
Chapter Five. Balance, Circulation, and Equity in the "Prosperous Voyage" of The Renegado --
Epilogue. Webster's The Devil's Law-Case, the Limits of Tragicomic Redemption, and Tragicomedy's Afterlife --
Epilogue Webster's The Devil's Law-Case, the Limits of Tragicomic Redemption, and Tragicomedy's Afterlife --
Bibliography --
Index --
Acknowledgments.