Sentimental fabulations, contemporary Chinese films:attachment in the age of global visibility
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Main Authors: | |
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Published: |
Columbia University Press,
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Publisher Address: | New York |
Publication Dates: | c2007. |
Literature type: | Book |
Language: | English |
Series: |
Film and culture series |
Subjects: | |
Carrier Form: | xii, 263 p.: ill. ; 24 cm. |
ISBN: |
0231133324 (cloth : alk. paper) 9780231133326 (cloth : alk. paper) 0231133332 (pbk. : alk. paper) 9780231133333 (pbk. : alk. paper) 9780231508193 (ebook) 0231508190 (ebook) |
Index Number: | J909 |
CLC: | J909.2 |
Call Number: | J909.2/C552 |
Contents: |
Includes bibliographical references (p. [201]-250) and index. The deductions of homecoming : Temptress moon and the question of origins -- Nostalgia of the New Wave : romance, domesticity, and the longing for oneness in Happy together -- The everyday in The road home and In the mood for love : from the legacy of socialism to the potency of Yuan -- Autumn hearts : filming feminine "psychic interiority" in Song of the exile -- By way of mass commodities : love in Comrades, almost a love story -- All Chinese families are alike : biopolitics in Eat a bowl of tea and The wedding banquet -- The political economy of vision in Happy times and Not one less; or, A different type of migration -- "Human" in the age of disposable people : the ambiguous import of kinship and education in Blind shaft -- The enigma of incest and the staging of kinship family remains in The River -- Postscript (inspired by Brokeback Mountain) : "the juice"; or, "The great Chinese theme". |