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Early modern tragedy, gender and performance, 1984-2000 The destined livery /

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Bibliographic Details
Main Authors: Barker, Roberta, 1974-
Published:
Literature type: Electronic Software eBook
Language: English
Subjects:
English drama (Tragedy) > History and criticism.
English drama > History and criticism > 17th century.
English drama > History and criticism > Early modern and Elizabethan, 1500-1600.
Gender identity in literature.
Gender identity in the theater.
Gender-based analysis.
Sex role in literature.
Sex role in the theater.
Theater and society.
Feminism and theater > History > 20th century.
Theater > History > 20th century.
Sex role in motion pictures.
Gender identity in motion pictures.
Theatre studies.
Film theory & criticism.
Literary studies: plays & playwrights.
Literary studies: c 1500 to c 1800.
Gender studies, gender groups.
Performing Arts.
Online Access: http://www.palgraveconnect.com/doifinder/10.1057/9780230597488
Item Description: Electronic book text.
Epublication based on: 9781403994790, 2007.
Carrier Form: 256 p.
ISBN: 9781403994790
9780230597488 :
0230597483 :
CLC: I561.073
Contents: List of Figures Acknowledgements List of Abbreviations Introduction: The Destined Livery? PART ONE: REALISM AND REINSCRIPTION What We Are, But Not What We May Be: The 'Feminist' Ophelia and the Reproduction of Gender An Actor in the Main of All: Individual and Relational Selves in The Duchess of Malfi The Natural Father and the Imaginary Daughter: Patriarchy as Realism and Representation in Titus PART TWO: PERFORMANCE AND PERFORMATIVITY 'Let Me Forget Myself': What a Queen is Good For in Edward II Death and the Married Maiden: Gender Reproduction as Destruction in The Broken Heart Tricked Like a Bride: A New Traffic in A Woman Killed with Kindness Conclusion: Cultural Drag, or, Hamlet and Ophelia Redux Appendix: Casts, Production Teams, and Opening Dates of Productions Discussed Bibliography Index Index.

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