Cinematic overtures : how to read opening scenes /

A great movie's first few minutes provide the key to the rest of the film. ..., they draw the viewer in, setting up the thematic concerns and stylistic approach that will be developed over the course of the narrative. [Some] sequences lead the viewer to trust the filmmakers. Other times, openin...

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Bibliographic Details
Main Authors: Insdorf, Annette
Published: Columbia University Press,
Publisher Address: New York,, NY :
Publication Dates: [2017]
Literature type: Book
Language: English
Series: University seminars/Leonard Hastings Schoff memorial lectures.
Subjects:
Summary: A great movie's first few minutes provide the key to the rest of the film. ..., they draw the viewer in, setting up the thematic concerns and stylistic approach that will be developed over the course of the narrative. [Some] sequences lead the viewer to trust the filmmakers. Other times, opening shots are intentionally misleading....From Joe Gillis's voice-over in Sunset Boulevard as he lies dead in a swimming pool to the hallucinatory opening of Apocalypse Now, from the stream-of-consciousness montage as found in Hiroshima, Mon Amour to the slowly unfolding beginning of Schindler's List, [t
Carrier Form: xi, 188 pages, 2 unnumbered pages of plates : illustrations (some color) ; 22 cm.
Bibliography: Includes bibliographical references and index.
ISBN: 9780231182249
0231182244
9780231182256
0231182252
Index Number: PN1994
CLC: J905
Call Number: J905/I591
Contents: 1. The Crafted Frame (Saul Bass, Talk to Her, Knife in the Water, Camouflage) -- 2. The Opening Translated from Literature (The Conformist, The Tin Drum, The Unbearable Lightness of Being, All the President's Men, Cabaret) -- 3. Narrative Within the Frame: Mise-en-Scene and the Long Take (Touch of Evil, The Player, Aguirre: The Wrath of God, The Piano, Bright Star, In Darkness) -- 4. Narrative Between the Frames: Montage (Z; Hiroshima, mon amour; Seven Beauties; Schindler's List; Three Colors: Red; The Shipping News; Shine) -- 5. Singular Point of View (The Graduate, Taxi Driver, Apocalypse