Screen LibraryMusical signification : essays in the semiotic theory and analysis of music /
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| Corporate Authors: | |
|---|---|
| Group Author: | |
| Published: |
De Gruyter Mouton,
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| Publisher Address: | Berlin ; Boston : |
| Publication Dates: |
2011. ©1995 |
| Literature type: | eBook |
| Language: | English |
| Series: |
Approaches to semiotics [as] ;
volume 121 |
| Subjects: | |
| Online Access: |
http://dx.doi.org/10.1515/9783110885187 http://www.degruyter.com/doc/cover/9783110885187.jpg |
| Item Description: | Includes index. |
| Carrier Form: | 1 online resource (xiv, 598 pages) : illustrations. |
| ISBN: | 9783110885187 |
| Index Number: | ML3845 |
| CLC: | J60-05 |
| Contents: |
Frontmatter -- Preface -- Contents -- Theoretical approaches -- Method and system -- Toward a reinterpretation of compositional theory -- Music and antimetaphor -- The sign and music: A reflection on the theoretical bases of musical semiotics -- How philosophical characterizations of a musical work lose sight of the music and how it might be put back -- Interpretation and meaning in music -- Music and semantics -- The application of Hjelmslev s glossematics to music -- The musical work as sign: Significative constituents, layers, structure -- Asaf ev and Tynianov: On some analogies between musicology and the study of literature -- Intonation as a specific form of musical semiosis -- Musical intonation language of intuition and logic: A contribution to the system of the semiotics of intonation in music -- Empirical studies -- The voice of the heart : A progressive semiosis on the interval of the sixth -- Pertinence in music -- Meaning and behavior patterns: The creation of meaning in interpreting and listening to music -- On the genesis of the musical sign -- Art evolution in the light of brain asymmetry: A trial of empirical investigation -- A semio-psychological theory of communication in music -- Character and characterization in musical performance: Effects of sensory experience upon meaning -- Tempo deviations and musical signification: A case study -- The pitch of glide-like F0 curves in Votic folksongs -- The concept of hierarchy: A theoretical approach -- Musical pragmatics and computer modelling -- Some relationships between terminology, analytic strategies, and computational methodologies -- Semiotic bases and computer assisted composition: Towards a cognitive model -- Experiments on grammar-based analysis of music -- Analyses of musical styles and texts -- Metaphor in music -- Performative musical acts: The Verdian achievement -- Peirce s ground and 19th-century Lieder -- The couples who remain: With reference to Ici-bas by Sully Prudhomme and Faur -- Apres un r ve : A semiotic analysis of the song by Gabriel Faur -- The problem of narrativity in the symphonic poem En saga by Jean Sibelius -- Orchestration and form in Leos Jan ek s Concertino: An analysis of intratextural interaction -- Music becomes language : Narrative strategies in El cimarr n by Hans-Werner Henze -- Narrativity and electroacoustic music -- On the sound dimension of prehistoric painted caves and rocks -- The mythical in non-programmatic music -- The symbol of the tree in musical Jugendstil -- Aspects of the Dance of Death as a semiotic system -- Authors -- Index |