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Am ende Kommen touristen

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Bibliographic Details
Corporate Authors: Warner Bros. Pictures 1969; X Verleih AG; 23/5 Filmproduktion; Zweites Deutsches Fernsehen; Medienboard Berlin-Brandenburg; Filmfo rderungsanstalt Germany; Germany. Beauftragte der Bundesregierung fu r Kultur und Medien; Pictorion Pictures; Bavaria Film International Firm; Warner Home Video Germany Firm
Group Author: Kno ller Britta 1975- (Producer); Schmid Hans-Christian 1965- (Producer); Ga rtig Yoliswa (Cinematographer); Kobe Stefan (Film editor); Bossenz Uwe (Composer); Galinski Michal (Designer); Hallekamp Rita-Maria (Designer); Krauze Ewa (Costume designer); Fehling Alexander (Actor); Ronczewski Ryszard 1930- (Actor); Wysocka Barbara 1978- (Actor); Rogucki Piotr 1978- (Actor); Sellien Rainer (Actor); Stolze Lena 1956- (Actor); Kuhligk Bjo rn 1975- (aus drt); Thalheim Robert 1974-
Published: Goethe-Institut e.V., X verleih Warner Home Video,
Publisher Address: Munchen Berlin, Germany Hamburg
Publication Dates: 2010 2008.
Literature type: Video
Language: German
Subjects:
Auschwitz Concentration camp
Concentration camps > Poland > Oswie·cim
Ex-concentration camp inmates > Poland > Oswie·cim
Feature films
Fiction films
Motion pictures, German
Feature films > Germany
Oswie·cim Poland
Item Description: Am ende kommen touristen.
Carrier Form: 1 videodisc (ca. 82 min.): sd., col., dolby digital 2.0, stereo ; 4 3/4 in.
Index Number: 791
CLC: 791
Call Number: PN1997.2
791/AME
Contents: Donation.
In German with optional German, English, French, Spanish, Portuguese, Italian and subtitles.
From the book of the same title, written by Bjorn Kuhligk.
Originally released as a motion picture in 2007.
Special features: Commentary with screenwriter/director, Robert Thalheim; Entfernte Szenen = Deleted scenes; Trailer; Interview with Robert Thalheim; Interview with Alexander Fehling; Fotogalerie, Recherche in Oswiecim, 2004 bis 2006; Kurzfilm Dachau Bei Munchen.
Sven, a young German electing to do civilian work for his national service, is sent to Oswiecim (Auschwitz). In the course of interacting with the local townspeople and caring for an Auschwitz survivor, Krzeminski, who works at the camp, Sven feels the push and pull of conflicting sensations, learns compassion for Krzeminski, and comes to a troubling, challenging realization about his own role in preserving the memory of this place.

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