Cinema, television and history : new approaches /
This book rethinks, recontextualises and reviews the relationship between cinema, television and history. This volume incorporates a wide range of methods to a variety of topics, welcoming both empirical and theoretical approaches, as well as studies which merge the two. It is a book about how histo...
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Group Author: | ; |
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Published: |
Cambridge Scholars Publishing,
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Publisher Address: | Newcastle upon Tyne, UK : |
Publication Dates: | 2014. |
Literature type: | Book |
Language: | English |
Subjects: | |
Summary: |
This book rethinks, recontextualises and reviews the relationship between cinema, television and history. This volume incorporates a wide range of methods to a variety of topics, welcoming both empirical and theoretical approaches, as well as studies which merge the two. It is a book about how historical events are interpreted and adapted across cinema and television as the basis of a story, as much as it is about the endeavours of the practising historian through the exploration of the archive. Divided into five parts, the book is knowingly broad and diverse in terms of the case studies featured within it, and the means through which these examples are examined, explored, and utilised in their respective chapters. |
Carrier Form: | vii, 284 pages : illustrations ; 22 cm |
Bibliography: | Includes bibliographical references. |
ISBN: |
9781443853798 1443853798 |
Index Number: | PN1993 |
CLC: | J909 |
Call Number: | J909/C574 |
Contents: |
New meanings, new methods -- TV and cinema : what forms of history do we need? / Recontextualising cinema and television history -- "We must go about it in our own way and have complete control" : the British film industry and the Metropolitan Police Press Bureau, 1919-1938 / From Cathy "queen of the mods" to Paula "pop princess" : women, music television and adolescent female identity / The Polish TV fictionscape : from programme importation to domestic revival / Maintaining a Critical eye : the political avant-garde on Channel 4 in the 1990s / Rethinking histories of cinema and television -- "These people are the enemy!" : the moral responsibilities of film and television history within the humanities / The trans/national divide : towards a typology of "transatlantic British cinema" during the 1930s and 1940s / "Marvellous, awesome, true-to-life, epoch-making, a new dimension" : reconsidering the early history of colour television in Britain / Rethinking history through cinema and television -- Known pleasures : nostalgia and joy division mythology in 24 hour party people and Control / "Media virgins vs. political lions" : historicising the gender politics of Question time / Rethinking history through documentary : Paradise lost and the documented case of "The West Memphis three" / The impact of new technologies -- DVDs, streams, comment threads and developing a television canon / Using social media to build hidden screen histories : a case study of the Pebble Mill project / Historical subjectivity and film style : re-enactment and digital technologies in contemporary historical cinema / |