Women through the lens:gender and nation in a century of Chinese cinema
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Main Authors: | |
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Published: |
University of Hawaiʿi Press,
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Publisher Address: | Honolulu |
Publication Dates: | c2003. |
Literature type: | Book |
Language: | English |
Subjects: | |
Carrier Form: | xxvi, 304 p.: ill. ; 24 cm. |
ISBN: |
0824825322 (acid-free paper) 9780824825324 (acid-free paper) 0824832965 9780824832964 |
Index Number: | J90 |
CLC: |
J90-05 J909.2 |
Call Number: | J909.2/C966 |
Contents: |
Includes bibliographical references (p. [287]-297) and index. Part I. Early production. From shadow-play to a national cinema ; Reconstructing history: the (im)possible engagement between feminism and postmodernism in Stanley Kwan's Center stage -- Part II. Socialist cinema. Constructing and consuming the revolutionary narratives ; Gender politics and socialist discourse in Xie Jin's The red detachment of women -- Part III. The new wave. Screening China: national allegories and international receptions ; The search for male masculinity and sexuality in Zhang Yimou's Ju dou ; Subjected body and gendered identity: female impersonation in Chen Kaige's Far |