The sublime in modern philosophy : aesthetics, ethics, and nature /

In The Sublime in Modern Philosophy: Aesthetics, Ethics, and Nature Emily Brady takes a fresh look at the sublime and shows why it endures as a meaningful concept in contemporary philosophy. In a reassessment of historical approaches, the first part of the book identifies the scope and value of the...

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Bibliographic Details
Main Authors: Brady, Emily (Author)
Published: Cambridge University Press,
Publisher Address: New York, NY :
Publication Dates: 2013.
Literature type: Book
Language: English
Subjects:
Summary: In The Sublime in Modern Philosophy: Aesthetics, Ethics, and Nature Emily Brady takes a fresh look at the sublime and shows why it endures as a meaningful concept in contemporary philosophy. In a reassessment of historical approaches, the first part of the book identifies the scope and value of the sublime in eighteenth-century philosophy (with a focus on Kant), nineteenth-century philosophy and Romanticism, and early wilderness aesthetics. The second part examines the sublime's contemporary significance through its relationship to the arts; its position with respect to other aesthetic categories involving mixed or negative emotions, such as tragedy; and its place in environmental aesthetic and ethics. Far from being an outmoded concept, the sublime, Brady argues, is a distinctive aesthetic category which reveals an important, if sometimes challenging, aesthetic-moral relationship with the natural world."--Book Jacket.
Carrier Form: xi, 227 pages : illustrations ; 24 cm
Bibliography: Includes bibliographical references (pages 207-220) and index.
ISBN: 9780521194143 (hardback) :
0521194148 (hardback)
Index Number: BH301
CLC: B83
Call Number: B83/B812
Contents: The eighteenth-century sublime -- The Kantian sublime I : Pre-critical and critical work -- The Kantian sublime II : Nature and Morality -- The Romantic sublime -- Art and the Sublime -- Tragedy and the sublime -- The sublime, terrible beauty, and ugliness -- The environmental sublime.