Screen LibraryPicasso & modern British art /
'Picasso and Modern British Art' explores an overlooked yet important aspect of Pablo Picasso's life and work: his lifelong connection with the United Kingdom. Tracing his rise in Britain, this book demonstrates that the British engagement with Picasso and his art has been much deeper...
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| Main Authors: | |
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| Corporate Authors: | ; |
| Group Author: | ; |
| Published: |
Tate Pub. ; Distributed in the U.S. and Canada by Abrams,
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| Publisher Address: | London : New York : |
| Publication Dates: | 2012. |
| Literature type: | Book |
| Language: | English |
| Subjects: | |
| Summary: |
'Picasso and Modern British Art' explores an overlooked yet important aspect of Pablo Picasso's life and work: his lifelong connection with the United Kingdom. Tracing his rise in Britain, this book demonstrates that the British engagement with Picasso and his art has been much deeper and more varied than was previously understood. "Accompanying a major touring exhibition, Picasso and Modern British Art is the first book to explore Pablo Picasso's lifelong connections with the United Kingdom. Picasso's enormous impact on British modernism is examined through seven artists in particular for whom he proved an important stimulus: Duncan Grant, Wyndham Lewis, Ben Nicholson, Henry Moore, Francis Bacon, Graham Sutherland and David Hockney. Their responses to Picasso's work are wide and varied: from Francis Bacon's extraordinary Three Studies for Figures at the Base of a Crucifixion (1944) that draws from Picasso's paintings of figures on the beach at Dinard, works that Bacon said first inspired him to take up painting, to David Hockney's pictorial 'homages' to Picasso after visiting the major Picasso retrospective exhibition at Tate eight times, the beginning of a life-long obsession with the artist. Such was Picasso's status that it extended beyond the artistic to the political sphere, with the tour of his anti-Fascist work Guernica at the end of the 1930s and his presence at the Sheffield Peace Conference in 1950 making headline news."--Publisher description. |
| Item Description: | Published on the occasion of the exhibition at Tate Britain, London, Feb. 15-July 15, 2012, and the Scottish National Gallery of Modern Art, Aug. 4-Nov. 4, 2012. |
| Carrier Form: | 239 pages : chiefly illustrations (chiefly color) ; 30 cm |
| Bibliography: | Includes bibliographical references (pages 214-219) and index. |
| ISBN: |
9781854378903 1854378902 |
| Index Number: | N6853 |
| CLC: |
J156.109.5-28 J205.551-28 |
| Call Number: | J205.551-28/P586-4 |
| Contents: |
Picasso and Britain / The Picassos of British criticism c.1910-c.1945 / The politics of Picasso in Cold War Britain / Cooper's capers and their consequences for Picasso, Penrose and the Tate / Picasso in Britain 1910-1914 / Duncan Grant and Picasso / Wyndham Lewis and Picasso / Picasso in Britain 1919 / Ben Nicholson and Picasso / Picasso in Britain 1920-1939 / Henry Moore and Picasso / Francis Bacon and Picasso / Picasso in Britain 1937-1939 / Graham Sutherland and Picasso / Picasso in Britain 1945-1960 / David Hockney and Picasso / The three dancers. |