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Postmodern plagiarisms : cultural agenda and aesthetic strategies of appropriation in US-American literature (1970-2010) /

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Bibliographic Details
Main Authors: Horn, Mirjam (Author)
Published: De Gruyter Mouton,
Publisher Address: Berlin ; Boston :
Publication Dates: [2015]
Literature type: Book
Language: English
Series: Buchreiha der ANGELIA/ANGLIA Book Series ; volume 49
Subjects:
American literature > 20th century > History and criticism.
American literature > 21st century > History and criticism.
Plagiarism > United States > History > 20th century.
Plagiarism > United States > History > 21st century.
Imitation in literature.
Carrier Form: vi, 286 pages : color illustrations ; 24 cm.
Bibliography: Includes bibliographical references (pages 248-282) and index.
ISBN: 9783110378955 (hardcover : alk. paper) :
Index Number: PS221
CLC: I712.095
Call Number: I712.095/H813
Contents: Introducing plagiarism beyond illegitimate plunder -- Framing plagiarism as a postmodern negotiation of authorship and text sovereignty -- Authorship and its nemeses: plagiarism as unoriginal practice -- The commodification of literature and the economic value of authorial attribution -- The extra-aesthetic notion of plagiarism: the case of literary theft -- Under siege: challenging textual integrity and individual authorship -- Writing beyond petty theft: critifiction, context, and neo-conceptual writing -- Everything can be said and must be said in any possible way: stealing away with critifiction and playgiarism -- Disowning meaning and male authority: feminist plagiarist context -- Neo-conceptual uncreative writing of the twenty-first century -- Plagiarism as writing practice in US postmodern literature -- Practicing theory with critifiction: Raymond Federman's Double or nothing (1971/1991) -- Context as dissident feminist writing: Kathy Acker's Empire of the senseless (1988) -- Neo-conceptual appropriative writing -- Uncreative writing as constrained transcription: Kenneth Goldsmith's Day (2003) -- Appropriating legal texts: Vanessa Place's Tragod́ia i: statement of facts (2010) -- Appropriate and erase: Yedda Morrison's Darkness (chapter 1) -- Conclusion: the present and future of strategic appropriation in the arts.

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