The Bloomsbury handbook of popular music policy /

"The Bloomsbury Handbook of Popular Music Policy is the first thorough analysis of how policy frames the behaviour of audiences, industries and governments in the production and consumption of popular music. Covering a range of industrial and national contexts, this collection assesses how musi...

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Bibliographic Details
Group Author: Homan, Shane (Editor)
Published: Bloomsbury Academic,
Publisher Address: New York :
Publication Dates: 2023.
©2022
Literature type: Book
Language: English
Series: Bloomsbury handbooks
Subjects:
Summary: "The Bloomsbury Handbook of Popular Music Policy is the first thorough analysis of how policy frames the behaviour of audiences, industries and governments in the production and consumption of popular music. Covering a range of industrial and national contexts, this collection assesses how music policy has become an important arm of government and a contentious arena of global debate. It brings together a diverse range of researchers to reveal how histories of music policy development continue to inform contemporary policy and industry practice. The Handbook maps individual nation case studies with detailed assessment of music industry sectors. Drawing on international experts, this volume offers insight into global debates about popular music within broader social, economic, and geopolitical contexts." --
Carrier Form: xiv, 409 pages : illustrations ; 26 cm.
Bibliography: Includes bibliographical references (pages 333-402) and index.
ISBN: 9781501389917
1501389912
9781501345326
150134532X
Index Number: ML3918
CLC: J60-052
Call Number: J60-052/B655-3
Contents: Introduction: situating popular music policy /
Policy contexts --
Distributing rights and resources: the cultural politics of popular music policy /
The presence and absence of policy in the digital music industries /
Property or status? Music and musicians under copyright /
Policy sectors --
Conceptualizing popular music's heritage as an object of policy: preservation, performance and promotion /
Popular music, policy and education /
Music exports /
Broadcasting and popular music policy /
Live music infrastructure /
National frameworks --
Audible, visible and experiential: reflections on South Korean popular music policy /
The Canadian conundrum: robust policies catching up with the times /
The new great leap forward of China: national and local music policy in Chengdu /
Australian popular music policy /
More than dots on maps: locating live venues in the German music policy framework /
From national identity to the well-being of future generations: popular music within devolved Welsh policymaking between 1999 and 2020 /
Contemporary debates --
Ticketing: why is it a problem? /
Gender and popular music policy /
When music becomes datafied: streaming services and the case of Spotify /
Music cities /
Brexit and the UK live music industry /