Screen LibraryDigital media and textuality : from creation to archiving /
"Due to computers' ability to combine different semiotic modes, texts are no longer exclusively comprised of static images and mute words. How have digital media changed the way we write and read? What methods of textual and data analysis have emerged? How do we rescue digital artifacts fr...
Saved in:
| Group Author: | |
|---|---|
| Published: |
Transcript,
|
| Publisher Address: | Bielefeld : |
| Publication Dates: | [2017] |
| Literature type: | Book |
| Language: | English |
| Series: |
Medienumbrüche = Media upheavals ;
volume 45 |
| Subjects: | |
| Summary: |
"Due to computers' ability to combine different semiotic modes, texts are no longer exclusively comprised of static images and mute words. How have digital media changed the way we write and read? What methods of textual and data analysis have emerged? How do we rescue digital artifacts from obsolescence? And how can digital media be used or taught inside classrooms? These and other questions are addressed in this volume that assembles contributions by artists, writers, scholars and editors such as Dene Grigar, Sandy Baldwin, Carlos Reis, and Frieder Nake. They offer a multiperspectival view on the way digital media have changed our notion of textuality"--Back cover. |
| Item Description: | Includes papers from the International Conference on Digital Media and Textuality (ICDMT). |
| Carrier Form: | 284 pages : illustrations ; 23 cm. |
| Bibliography: | Includes bibliographical references. |
| ISBN: |
9783837640915 (paperback) : 3837640914 (paperback) |
| Index Number: | QA76 |
| CLC: | G206.2-532 |
| Call Number: | G206.2-532/D574/[2017] |
| Contents: |
Rhapsodic textualities / Passing the Calvino test? Writing machines and literary ghosts / Writing through contemporary self-translation: a constructive technogenetic intervention / Pwning gamers, one text at a time / Character: a concept that does not stand still / Shelley Jackson's grotesque corpus: notes on my body - a Wunderkammer / Choice and disbelief: revisiting immersion and interactivity / Creative process: interweaving methods, content and technology / Distilling the elements of "networked narratives" with digital alchemy / The creative process as a "dance of agency": Shelley Jackson's Snow: performing literary text with elements / Narrative across media: trans-stories in-betweeness / Face, a keyword story: the archiving vocabulary for facial expression in the German imaginary from printed text to digital image / Curating "shapeshifting texts" / Postscript: loosely connected to what it's coming after / |